Richard Gere Has a Theory About Why Mainstream Hollywood Dumped Him: For two decades—between 1982’s An Officer and a Gentleman and 2002’s Chicago—Richard Gere was a hot box-office commodity, able to summon such crackling chemistry with Julia Roberts in Pretty Woman that Paramount re-united the duo nearly a decade later for the pseudo-sequel Runaway Bride.
But then something happened: Gere gradually stopped starring in mainstream studio movies. Although this plight is routine for actresses, Gere maintains that mainstream Hollywood’s motive to dump him had nothing to do with age—and everything to do with another factor entirely.
That factor: China, the country that finances much of Hollywood these days. Not so coincidentally, it’s also the country that Gere—a practicing Tibetan Buddhist and longtime friend of the religion’s exiled leader, the Dalai Lama—infamously disparaged during the 1993 Oscars when he went off-script while presenting the art-direction category.
“There are definitely movies that I can’t be in because the Chinese will say, ‘Not with him,’” Gere tells The Hollywood Reporter in a new interview. “I recently had an episode where someone said they could not finance a film with me because it would upset the Chinese.”